The Three Musketeers is one of the greatest tales of brotherhoood in the Western canon, but this new movie from José Daillant shifts the focus to a female character, Milady, the story’s femme fatale. Look for the lovely and inimitable Arielle Dombasle in the starring role.

Buoyed by the wild success of Les Choristes, these young performers are having the time of their lives. Musicians, music directors, and music halls are all hoping their show will be appreciated by this audience.

Newcomers Kader Belarbi and Loumia Hiridjee are bringing fresh blood and talent to the French cultural and commercial landscape.

Today’s mime is a far cry from Marcel Marceau, whose clones accost you in the park.

Henri Cartier-Bresson is arguably France’s most notable contribution to the world of photography.

The magic of Nicolas Ghesquière? Innovating, without betraying the heritage of the venerable fashion house of Balenciaga.

Chanel and its “rock star” designer, Karl Lagerfeld; Loewe, the “Spanish Hermès,” and its creator José Enrique Ona Selfa; Yves Saint-Laurent under the direction of Stefano Pilati: each line offers a distinctive and beautiful collection.

Which four designers’ collections are not to miss (if your income is in the seven digits)? Chanel, Yves Saint-Laurent, Loewe, and, for your delicate foot, René Caovilla and his sparkling handmade Venetian shoes.

The last in our four-part series on Paris fashion week showcases the latest collections of Lanvin by Alber Elbaz, Christian Lacroix and his luxury ready-to-wear, Louis Vuitton by Marc Jacobs, and Hermès by Jean-Paul Gaultier.

Opening night in Casablanca for the movie Indigènes (English title "Days of Glory") provided a special opportunity for some of the subjects of the film to reflect upon their past, and for Moroccans and the French to talk about their future.

Mozart fans, take note: Go in through the back door of the Vichy Opera House to see Jérôme Deschamps and his talented crew’s reimaginings of the famous composer’s works. Don’t worry—all the tunes are still pure Wolfgang.

This newspaper, called “The Sapper’s Candle” (a “sapper” is traditionally a military man who disarms mines), only comes out on the leap year. But how can a periodical published only on February twenty-ninth be financially sound? Maybe it’s true: less is more.

Her stirring, tragic story has moved millions of people. As an eight-year-old Jewish girl during World War II, she was taken in by wild wolves and walked for thousands of kilometers in search of her family. Sound too implausible to be true? Turns out it is. Her story is fiction, and, in fact, she’s not even Jewish. Though she may be the James Frey of French World War II tales, her lawyer claims she’s done nothing wrong.

Marion Cotillard was not a superstar when she landed the role of Edith Piaf in La Môme. But, already a formidable actress, she had an impressive set of roles under her belt, and the film’s director had no doubt she was “the one.” He was right: Marion took home the Oscar for best actress in 2008.

An interesting note: The USA release title for the film – in French, ironically enough – is La Vie en Rose, the name of a famous Piaf song, which basically means, “life through rose-colored glasses.” The French title comes from Piaf’s nickname: “La Môme Piaf,” which can be translated as “the little sparrow,” but also means “little kid Piaf.”

The “ch’ti” dialect and way of life of the Nord-Pas-de-Calais region in northern France is the subject of the movie Bienvenue chez les ch’tis, number two on the all-time French box office list and the first French movie on the list. Actor-director Dany Boon knew just the right mix of ingredients to make it stick.