The last in our four-part series on Paris fashion week showcases the latest collections of Lanvin by Alber Elbaz, Christian Lacroix and his luxury ready-to-wear, Louis Vuitton by Marc Jacobs, and Hermès by Jean-Paul Gaultier.

Marion Cotillard was not a superstar when she landed the role of Edith Piaf in La Môme. But, already a formidable actress, she had an impressive set of roles under her belt, and the film’s director had no doubt she was “the one.” He was right: Marion took home the Oscar for best actress in 2008.

An interesting note: The USA release title for the film – in French, ironically enough – is La Vie en Rose, the name of a famous Piaf song, which basically means, “life through rose-colored glasses.” The French title comes from Piaf’s nickname: “La Môme Piaf,” which can be translated as “the little sparrow,” but also means “little kid Piaf.”

Which four designers’ collections are not to miss (if your income is in the seven digits)? Chanel, Yves Saint-Laurent, Loewe, and, for your delicate foot, René Caovilla and his sparkling handmade Venetian shoes.

What’s the ideal first hardcore music experience? Where is the best place to hear hardcore? Is it true that ladies don’t dig hardcore as much as guys do? Hear what famed French musician and DJ Manu le Malin has to say in the final part of his interview.

Chanel and its “rock star” designer, Karl Lagerfeld; Loewe, the “Spanish Hermès,” and its creator José Enrique Ona Selfa; Yves Saint-Laurent under the direction of Stefano Pilati: each line offers a distinctive and beautiful collection.

Celebrated French hardcore musician Manu le Malin sits down for an interview about his influences and his music. He talks in particular about the last part of his “Biomechanik” series, Biomechanik III: The Final Chapter, which was filmed at the H.R. Giger Museum in Gruyères, Switzerland.

Her stirring, tragic story has moved millions of people. As an eight-year-old Jewish girl during World War II, she was taken in by wild wolves and walked for thousands of kilometers in search of her family. Sound too implausible to be true? Turns out it is. Her story is fiction, and, in fact, she’s not even Jewish. Though she may be the James Frey of French World War II tales, her lawyer claims she’s done nothing wrong.

This newspaper, called “The Sapper’s Candle” (a “sapper” is traditionally a military man who disarms mines), only comes out on the leap year. But how can a periodical published only on February twenty-ninth be financially sound? Maybe it’s true: less is more.

The magic of Nicolas Ghesquière? Innovating, without betraying the heritage of the venerable fashion house of Balenciaga.

Henri Cartier-Bresson is arguably France’s most notable contribution to the world of photography.

Today’s mime is a far cry from Marcel Marceau, whose clones accost you in the park.

Newcomers Kader Belarbi and Loumia Hiridjee are bringing fresh blood and talent to the French cultural and commercial landscape.

Buoyed by the wild success of Les Choristes, these young performers are having the time of their lives. Musicians, music directors, and music halls are all hoping their show will be appreciated by this audience.

The Three Musketeers is one of the greatest tales of brotherhoood in the Western canon, but this new movie from José Daillant shifts the focus to a female character, Milady, the story’s femme fatale. Look for the lovely and inimitable Arielle Dombasle in the starring role.

French movie star Agnès Jaoui talks about playing a French movie star in the film Le rôle de sa vie. The film, which explores relationships between movie stars and average folk, is the directorial debut for François Favrat, who may become a celebrity in his own right if the film is a success.