Hilaire summarizes all the steps in the clog-making process. The Clog Museum has descriptions with models in relief for the blind and visually impaired.

Patrice and Sophie reminisce about playing ombres chinoises (shadow puppets) when they were little. Patrice makes some interesting observations about Eisenstein's Ivan the Terrible and Coppola's Dracula, two films that incorporate shadow puppetry.

We continue our series on clog making. Hilaire explains step three, the hollowing out of the clog with special equipment, and the finishing stage, sanding the outside and drying the wood.

After four years without hearing from his former intern, Patrice gets a phone call from Hervé, who has run into financial difficulties. Patrice, a kind-hearted person, opens his home to Hervé and his companion Pauline.

When a mysterious bouquet arrives on Valentine's Day, Isabelle and Barbara both think it's for them—but is it? The title of this episode, C'est le bouquet (It's the Bouquet), is actually an idiom, equivalent to "that takes the cake" in English.

We continue our visit to the Clog Museum with Lionel and Hilaire who will teach you how to use some very interesting tools for clog manufacturing.

When Hugo can't make it to the concert, Barbara has to find someone else to go with her... But who? Her mom? No way—but then again, why not?

Hilaire from the Clog Museum shares some more interesting facts about clog manufacturing back in the day. For instance, clogs used to be sold without a strap—the buyer would have to put one on him or herself.

Guy's mother has some explaining to do. Remorseful, she admits to having led a double life and begs for forgiveness.

In part two on this series on the Clog Museum, we meet the last remaining clog maker in the village. And surprisingly, he isn't wearing clogs!

When Guy's mother is not at the rendezvous at the TV studio, Delphine and Guy decide to go check Andre's place. And they're in for a surprise!

Lionel visits the Musée du Sabotier (Clog Museum) in the village of Soucht, where the traditional craft of clog making has been practiced for centuries.

Delphine reports to André what she found out about Thérèse. Like his wife, Jocelyne, she is an orphan, and there are too many similarities. Is she hiding something?

Now that Ivory Coast is enjoying its first marine protected area, the seabed and sea creatures like turtles and stingrays have a chance to recover from human onslaught. And what better custodians of the sea than former poachers turned antipoaching rangers?

André gets the shock of his life when he recognizes his long-dead wife on a game show. To make sure he's not dreaming, he seeks out the truth.