Why has Patrice suddenly sprouted a mustache? It's all because of Marcel Proust...

Professor Joseph Malone warns against two extremes: lack of knowledge and absolute certainties. According to him, these frequently occur in history, politics, and economics.

Jacqueline shows Lionel some magnificent wooden statues by a Polish sculptor who settled in France.

Enjoy another walk through the fields with pig brothers Piggeldy and Frédéric. This time Piggeldy wants to know what bees are.

The Calendar of Peace includes three figures depicted with their eyes closed, signifying their "inward-looking" lives: Jesus, Buddha, and Louis Braille.

Discover the small village of Petite Anse in Martinique through this beautiful painting by Maky, depicting a traditional boat called a gommier.

Professor Joseph Malone share his thoughts on his research on western colonization in Africa. What he discovered was not at all what he expected.

In part two of this series, we continue our visit of the little village of Schorbach and join Jacqueline and Lionel at the Calendar of Peace Museum, which depicts famous figures throughout history, from Buddha to Louis Braille.

Audrey and Nadjma talk about the Creole languages in the overseas territories of Réunion, Martinique, and Guadeloupe, and why they all differ from one another.

Alice shows Axel the posters she's designed for the queer poetry festival at Brussels' Maison poème.

Lionel and Jacqueline take us to the Moselle region in the little town of Schorbach, which is renowned for its pink sandstone sculptures and its Path of the Ten Covenants.

Professor Joseph Melone explains to us how countries got their name. He shares some very interesting insights on the origin of the name "France," coming from the word franc.

Sophie and Patrice talk about kitchen utensils, and Patrice shares a few tips on how to avoid burning your food.

In this video, David talks to us about the animals that are on the beautiful island of Martinique: hens, pelicans, frigate birds, and more.

Axel did some work for the Belgium quarterly magazine Médor, which sees itself as a media watchdog focusing on investigative journalism. For this edition, the magazine called on punk artists to illustrate the articles.