Difficulty: Intermediate
France
Parisians can thank Fulgence Bienvenüe for their metro system, which is so efficient that many people use the names of the metro stations in favor of street names when giving directions. Some of the most interesting stations are Bir-Hakeim, overlooking the Eiffel Tower, and Arts et Métiers, with its old-fashioned industrial design. Some metro stations are a destination in themselves!
Difficulty: Intermediate
France
In the last segment of "No Credit in the World of Clones," Patricia and her dog discover that it's not that easy to live without a credit card.
Difficulty: Intermediate
France
While the Rio Olympic Games were taking place, the Paris Mayor's Office installed a beach volleyball court complete with real sand in front of the city hall building. Parisians relished the opportunity to practice a sport that is not readily available in the heart of the city.
Difficulty: Intermediate
France
In the second part of "Pas de crédit dans le monde des clones" (No Credit in the World of Clones), Patricia is careful not to fall into the trap set up by the silly hotline agent requesting her PIN number. It's a test to catch the unwary!
Difficulty: Intermediate
France
In this sci-fi video, you'll see animals speaking with clones and using credit cards. Enjoy this tongue-in-cheek vision of the future!
Difficulty: Intermediate
France
Lionel gives us the latest updates on France's Nuit Debout protest movement. Though the movement is no longer centered around Paris's Place de la République, it's still gaining traction online.
Difficulty: Intermediate
France
For his last video on Paris's "Cour de l'Industrie" (Industry Courtyard), Daniel visits a gilder. Bruno Toupry explains the intricacies of his trade and highlights the tradition of passing on a craftsman's knowledge, which for him is both a duty and a pleasure.
Difficulty: Adv-Intermediate
France
Daniel Benchimol visits Aline Putot, a renowned sculptor whose studio is located in the Cour de l'Industrie (Industry Courtyard), a revived artisan district in the eleventh arrondissement of Paris. Her craft requires very old tools, some dating from the nineteenth century, as well as more modern ones. Enjoy her beautiful creations!
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