A theatrical spectacle called "Je t'aime, un peu, beaucoup, aveuglément" revisited the Oedipus myth, incorporating works on the same theme from twentieth-century French playwrights. The event took place in the Château du Grand-Pressigny, and the public was encouraged to wander around the castle as part of the show.

In the last segment of "No Credit in the World of Clones," Patricia and her dog discover that it's not that easy to live without a credit card.

After running away from home, Manon finally decides to come back, only to be confronted with Émilie, her parent's biological daughter. Fortunately, Émilie manages to rescue the situation and convinces Manon to stay and speak with her parents.

In the second part of "Pas de crédit dans le monde des clones" (No Credit in the World of Clones), Patricia is careful not to fall into the trap set up by the silly hotline agent requesting her PIN number. It's a test to catch the unwary!

Christine and The Queens, aka Héloïse Létissier, sings a haunting live version of "Chaleur Humaine" (Human Warmth). The song's poetic lyrics explore questions of sexual identity and beauty.

While Anne-Sophie and Frédéric have a meeting with Manon's biological mother, Manon carries out her own investigation and finds the detective's report. By the time her parents come home, she's gone, and panic sets in when Frédéric discovers her farewell note.

At the Balzac Museum in the Château de Saché, exclusive period furniture was brought in to illustrate Honoré de Balzac's famous collection of novels, La Comédie Humaine (The Human Comedy). Balzac was famous for his lengthy, detailed descriptions of interiors in his novels.

In this sci-fi video, you'll see animals speaking with clones and using credit cards. Enjoy this tongue-in-cheek vision of the future!

Frédéric and Anne-Sophie meet Manon's biological mother Laetitia in a café under the pretext of a survey. Totally unsuspecting, she is in shock when she finds out the real reason for their visit.

For his last video on Paris's "Cour de l'Industrie" (Industry Courtyard), Daniel visits a gilder. Bruno Toupry explains the intricacies of his trade and highlights the tradition of passing on a craftsman's knowledge, which for him is both a duty and a pleasure.

In "Si" (If), Zaz sings about building a better world "bit by bit, crumb by crumb, drop by drop, and heart by heart," where she would "invent an Eden" for the downtrodden. Enjoy this hope-filled, inspirational song.

The private detective's investigation reveals that Frédéric and Anne-Sophie's daughter Manon was switched at birth with another baby. They are distraught and can't face telling Manon the truth.

Daniel Benchimol visits Aline Putot, a renowned sculptor whose studio is located in the Cour de l'Industrie (Industry Courtyard), a revived artisan district in the eleventh arrondissement of Paris. Her craft requires very old tools, some dating from the nineteenth century, as well as more modern ones. Enjoy her beautiful creations!

In the wake of the recent tragedy on the Promenade des Anglais, Nice remains a beautiful and diverse city. In this video, Patricia talks about what makes the city such a great place to live and visit.

In her song "Nos secrets" (Our Secrets), pop singer Louane Emera laments a relationship that is fading like "a bouquet of maybes." It's a melancholy and philosophical song about coming to terms with a broken relationship.