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Pages: 25 of 65 
─ Videos: 361-375 of 972 Totaling 0 hours 51 minutes

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Lionel - Le Musée du sabotier - Part 6

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

France

Hilaire summarizes all the steps in the clog-making process. The Clog Museum has descriptions with models in relief for the blind and visually impaired.
Matches in Transcript
Caption 4 [fr]: Voilà donc c'est l'arce qu'on utilise, hein.
Caption 4 [en]: Right, so that's the bearded axe that we use.

Lionel - Le Musée du sabotier - Part 5

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

France

We continue our series on clog making. Hilaire explains step three, the hollowing out of the clog with special equipment, and the finishing stage, sanding the outside and drying the wood.
Matches in Transcript
Caption 7 [fr]: Voilà et les sabots sont fixés. Voilà.
Caption 7 [en]: There, and the clogs are attached. That's it.

Sophie et Patrice - L'intelligence artificielle

Difficulty: difficulty - Intermediate Intermediate

France

Patrice and Sophie exchange their views on artificial intelligence, its advances, its dangers, and its advantages.
Matches in Transcript
Caption 8 [fr]: Voilà. Un "nous" qui ne s'arrêterait jamais de travailler,
Caption 8 [en]: Right. An "us" that would never stop working,

Mère & Fille - C'est le bouquet

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

France

When a mysterious bouquet arrives on Valentine's Day, Isabelle and Barbara both think it's for them—but is it? The title of this episode, C'est le bouquet (It's the Bouquet), is actually an idiom, equivalent to "that takes the cake" in English.
Matches in Transcript
Caption 27 [fr]: Et voilà, merci.
Caption 27 [en]: And there we go, thanks.

Lionel - Le Musée du sabotier - Part 4

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

France

We continue our visit to the Clog Museum with Lionel and Hilaire who will teach you how to use some very interesting tools for clog manufacturing.
Matches in Transcript
Caption 1 [fr]: Voilà donc, nous sommes arrivés à l'atelier manuel,
Caption 1 [en]: So then, we've arrived at the manual workshop,

Extr@ - Ep. 8 - La cousine de la concierge - Part 8

Difficulty: difficulty - Beginner Beginner

France

The Clotilde saga finally comes to an end after some sizzling revelations.... Find out what causes her to leave in this last segment of episode 8!
Matches in Transcript
Caption 1 [fr]: Ah te voilà, Nico!
Caption 1 [en]: Ah, there you are, Nico!

Mère & Fille - Le concert

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

France

When Hugo can't make it to the concert, Barbara has to find someone else to go with her... But who? Her mom? No way—but then again, why not?
Matches in Transcript
Caption 46 [fr]: Génial! -Voilà!
Caption 46 [en]: Great! -Right!

Le Jour où tout a basculé - Ma femme est-elle réellement morte ? - Part 6

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

France

Over time, the past is forgotten. Thérèse and André rebuild their lives together, and even Guy warms to his new family.
Matches in Transcript
Caption 63 [fr]: Voilà. Je vous retrouve très, très bientôt pour une nouvelle émission.
Caption 63 [en]: There you have it. I'll see you very, very soon for a new show.

Extr@ - Ep. 8 - La cousine de la concierge - Part 7

Difficulty: difficulty - Beginner Beginner

France

Annie and Sam get very close while building the shelf together, and Nico is running away from Clotilde, who has been pursuing him for days.
Matches in Transcript
Caption 43 [fr]: La voilà!
Caption 43 [en]: Here she is!

Gaël Faye - Petit Pays

Difficulty: difficulty - Advanced Advanced

France

The ethnic violence that devastated the central African states of Burundi and Rwanda in the 90s claimed the lives of more than a million people and created many more refugees. One of them was Gaël Faye, a French-Rwandan rapper who expresses his feelings toward his birth country in this beautiful song.
Matches in Transcript
Caption 20 [fr]: Et nous voilà perdus dans les rues de Saint-Denis
Caption 20 [en]: And here we are lost in the streets of Saint-Denis

Le Jour où tout a basculé - Ma femme est-elle réellement morte ? - Part 5

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

France

Guy's mother has some explaining to do. Remorseful, she admits to having led a double life and begs for forgiveness.
Matches in Transcript
Caption 20 [fr]: On s'est dit, ben, qu'elle était morte, voilà.
Caption 20 [en]: We thought, well, that she was dead, that's it.

Lionel - Le Musée du sabotier - Part 2

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

France

In part two on this series on the Clog Museum, we meet the last remaining clog maker in the village. And surprisingly, he isn't wearing clogs!
Matches in Transcript
Caption 3 [fr]: Voilà. -Bonjour. -Bonjour.
Caption 3 [en]: That's right. -Hello. -Hello.

Mère & Fille - Fête des mères

Difficulty: difficulty - Advanced Advanced

France

Mother's Day is the most important holiday for mothers, which is why Barbara should never forget to wish her mother une bonne fête des mères.
Matches in Transcript
Caption 64 [fr]: Ah, ben voilà!
Caption 64 [en]: Ah, here it is!

Lionel - Le Musée du sabotier - Part 1

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

France

Lionel visits the Musée du Sabotier (Clog Museum) in the village of Soucht, where the traditional craft of clog making has been practiced for centuries.
Matches in Transcript
Caption 20 [fr]: Voilà donc, euh... Hilaire va nous expliquer un peu
Caption 20 [en]: So here we are, uh... Hilaire is going to explain to us a little

Le Jour où tout a basculé - Ma femme est-elle réellement morte ? - Part 3

Difficulty: difficulty - Adv-Intermediate Adv-Intermediate

France

Delphine reports to André what she found out about Thérèse. Like his wife, Jocelyne, she is an orphan, and there are too many similarities. Is she hiding something?
Matches in Transcript
Caption 42 [fr]: c'est parce que ben voilà, parce qu'elle avait tiré un trait sur son passé,
Caption 42 [en]: it's because, well there, it's because she'd drawn a line over her past [put her past behind her],
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