Patricia discusses the history of the the French national anthem, "La Marseillaise," explaining how the song traveled from the Rhine region to Marseille, where it earned its final name.
She even sings a few lines of the song for us!

Vanessa is coming over to Sybille's house, which is now Benoît's as well. They don't need to spy on each other anymore, but Vanessa is bringing her binoculars anyway. As for Édouard... justice has prevailed.

In part three of our visit to Maisons-Laffitte, Daniel Benchimol reveals even more interesting facts about this city. The Maisons Castle, which epitomizes seventeenth-century French architecture, has been used for the filming of many famous movies, such as Love and Death, Dangerous Liaisons, Queen Margot, and many more.

Édouard's life is starting to unravel as the awful truth comes out. Benoît makes some startling revelations to Sybille, but she is not entirely surprised. It's not all gloom and doom for her, however, as an old flame is rekindled between them...

Daniel continues his visit to Maisons-Laffitte, home to many famous actors, authors, politicians, business tycoons, and others. According to Daniel, its villas are among the most beautiful in the Île-de-France region.

Mélanie Laurent is a French actress and singer, among other things. In this live set, she sings two powerful songs, "Circus" and "Tango."

Sybille finally finds an opportunity to knock on the door of the stranger who has been spying on her for weeks. She braces herself and confronts the stranger.... Or is he a stranger? A pleasant surprise is in store for her.

Daniel Benchimol takes us to Maisons-Laffitte, a town famous for its horse races and jockey training center, the largest in the Paris region. There are also opportunities to explore archaeological remains that have recently been discovered.

This artist discovered her true calling: she collects driftwood and other found materials for her art. Her predilection is birds, all kinds of birds, that she paints to make signs or other creations for her clients. Her studio bears the tongue-in-cheek name of "La Dilettante," or "The Dilettante," which she is not by any means...

Patricia brings to life Baudelaire's famous poem "L'horloge" (The Clock). The poet laments the passage of time and life's inevitable conclusion: death. Aside from the gloomy message, this poem is also an invitation to seize the day and enjoy all that life has to offer, including this poem!

Sybille and Édouard meet for drinks at Vanessa's apartment. Vanessa finally admits that a tenant lives with her, but he remains elusive. Vanessa's dubious explanations do not satisfy Sybille and only add to her curiosity.

For the opening of the show "Dans l’Œil des Enfoirés" (In the Eye of the Bastards) in 2011, Jean-Jacques Goldman sang the song "On demande pas la lune" (We Aren't Asking for the Moon). French singers and artists Patricia Kaas, Maxime Le Forestier, Lorie, Maurane, Mimie Mathy, and many more joined in the singing in honor of the late comedic actor Coluche, who founded the soup kitchen "Les Restos du Cœur" (Restaurants of the Heart).

In the final installment of his tour of Compiègne, Daniel takes us to the "Haras National" (National Stud Farm), where some of the most prestigious horses in France have been raised since the 1700s. He also shows us the Imperial Theater, built by Napoleon III, and the Museum of Internment and Deportation, which commemorates the prisoners of the Royallieu concentration camp.

Patricia introduces one of France's most renowned poets, Charles Baudelaire. His major work, Les Fleurs du Mal (The Flowers of Evil), is still the most studied poetry collection in French schools and was as much a source of controversy as admiration in his day. Baudelaire's love affair with his muse, actress Jeanne Duval, was a main source of inspiration for Les Fleurs du Mal.

Sybille and Édouard are still at odds with each other as Sybille now accuses him point-blank of having an affair with Vanessa. The mysterious neighbor doesn't cooperate with Édouard's scheming but pursues her own agenda.