Sophie and Patrice discuss the weather as they shop at the market on a miserable winter day. Sophie detests the cold and the rain whereas Patrice doesn't mind at all!

We continue our visit to the Clog Museum and learn about these very old machines that are still in use today.

Sophie and Patrice share their impressions of Paris under a gray sky. They say that the multiple shades of gray make Paris all the more beautiful. Even the old buildings blackened by years of grime add texture and beauty, but they concede that a good clean-up is sometimes necessary.

Hilaire summarizes all the steps in the clog-making process. The Clog Museum has descriptions with models in relief for the blind and visually impaired.

Patrice and Sophie reminisce about playing ombres chinoises (shadow puppets) when they were little. Patrice makes some interesting observations about Eisenstein's Ivan the Terrible and Coppola's Dracula, two films that incorporate shadow puppetry.

We continue our series on clog making. Hilaire explains step three, the hollowing out of the clog with special equipment, and the finishing stage, sanding the outside and drying the wood.

We continue our visit to the Clog Museum with Lionel and Hilaire who will teach you how to use some very interesting tools for clog manufacturing.

Hilaire from the Clog Museum shares some more interesting facts about clog manufacturing back in the day. For instance, clogs used to be sold without a strap—the buyer would have to put one on him or herself.

In part two on this series on the Clog Museum, we meet the last remaining clog maker in the village. And surprisingly, he isn't wearing clogs!

Lionel visits the Musée du Sabotier (Clog Museum) in the village of Soucht, where the traditional craft of clog making has been practiced for centuries.

After thirty years as a graphic designer, Denis Lagarde decided to switch gears and work in the "completely crazy world" of artisan cutlery, fulfilling a childhood dream.

Laurent Azriel is a luthier in Vauréal. In this video, he talks about his craft, how he became a luthier, and the demands of his job, which he loves!

Maxime Duveau held a solo exhibition at the Espace à Vendre gallery in Nice. The show included large-scale drawings in charcoal based on photos that he took in San Francisco and Los Angeles.

Manon Saenko works her magic on broken objects that she restores to their former glory. She calls herself the "doctor for objects," as she repairs all kinds of ceramics, ranging from family pieces to archaeological artifacts.

Gérard explains the development of Antibes culminating in the creation of Sophia Antipolis, a kind of science park that changed the face of the city and created a traffic nightmare.