Guy's mother has some explaining to do. Remorseful, she admits to having led a double life and begs for forgiveness.

In part two on this series on the Clog Museum, we meet the last remaining clog maker in the village. And surprisingly, he isn't wearing clogs!

At its peak, under Napoleon, the French territory was three times as large as it is today thanks to the emperor's very successful military campaigns. What was his secret?

Nico doesn't seem to be able to shake off clingy Clotilde, and asks for Sam's help. But his excuses are a little outlandish...

JB shows us how to make a mirabelle plum tart, a delicious end-of-summer treat. Mirabelles are hard to find in the US, but you can substitute another type of plum.

Lionel goes over some of the many slang words for "money" in French, including la moula, les bifs, and les waris. He also explains why you shouldn't try to pay with larger bills in a store.

Mother's Day is the most important holiday for mothers, which is why Barbara should never forget to wish her mother une bonne fête des mères.

Lionel visits the Musée du Sabotier (Clog Museum) in the village of Soucht, where the traditional craft of clog making has been practiced for centuries.

The first massively photographed insurrection, the Paris Commune, which began on March 18, 1871, revealed the extraordinary power of images, both close to reality and subtly manipulated.

When Guy's mother is not at the rendezvous at the TV studio, Delphine and Guy decide to go check Andre's place. And they're in for a surprise!

It's Barbara's birthday, and her mom is planning her a surprise party, as she always does. But this time Barbara really is surprised....

The building supervisor's cousin lays down the law with the girls, and they're not happy about it!

Do you know what la teuf and zarbi mean? These are two examples of verlan, one of the most common forms of French slang. Some verlan words have become so popular that they've been added to the dictionary.

The Paris Commune was one of the first extensively photographed revolutionary movements. In its infancy, photography wasn't able to capture motion, but professionals from both sides understood the power of images and used them to convey their own visions of the events.

Delphine reports to André what she found out about Thérèse. Like his wife, Jocelyne, she is an orphan, and there are too many similarities. Is she hiding something?