Hilaire shows us some of the more unusual clogs at the Clog Museum, from souvenirs clogs made for American troops in World War II to clogs made for cracking chestnuts.

Sophie is upset because someone stole her cell phone. It's not just the loss of her phone that makes her mad but the real inconvenience of losing all her contact information. Patrice has a few good suggestions for her.

Mother's Day is the most important holiday for mothers, which is why Barbara should never forget to wish her mother une bonne fête des mères.

L'Espace à Vendre gallery had an exhibition of works by Lucien Murat, who juxtaposes a wide range of materials on top of salvaged tapestries.

Maxime Duveau explains his art at his solo exhibition, which is based on photographs he took in San Fransciso and Los Angeles. He uses an interesting charcoal drawing technique he calls "masking."

We Are The Painters is a duo of artists, Nicolas Beaumelle and Aurélien Porte, who rework classical subjects such as landscapes and the Madonna in their experimental approach to painting. Their recent exhibit in Nice was spread over three locations.

As the COVID pandemic endures, makers of homemade masks are being forced to switch to higher-quality materials to comply with government recommendations. But this means that mask prices are increasing too.

Maude Maris is a thirty-seven-year-old artist whose work could be described as hyperrealist. She combines photographic impressions with sculpture by layering colors and paint to create a three-dimensional effect.

Bertrand Baraudou manages a contemporary art gallery located in the heart of Nice called Espace à Vendre (Space for Sale). Beautiful paintings are exhibited across three different locations.

This video shows us what the Paris metro system looked like the day after the lockdown ended. Social distancing in a crowded train is proving to be quite difficult...

Alison finally realizes that Steve Holloway is a scammer. Though she'll never get her money back, she still has a bright future as a lawyer specializing in artists' rights.

Jean-Pierre finally realizes that Steve, Alison's recording manager, is a scammer. However, Alison is still under Steve's spell and throws caution to the wind.

When Jean-Pierre and Alison return to the studio, Steve tells them that Rihanna's producer is interested in working on Alison's album and also asks for another very large sum of money. Jean-Pierre gets angry and becomes very skeptical about the whole affair.

Alison records her song in Steve's studio—or so she believes. When Steve asks Jean-Pierre to pay the sound engineer, he seems so surprised and upset that Steve decides to pay him out of his own pocket.