C'est l'intention qui compte!

Lesson 61. Vocabulary

Cap 24 - Découverte d'un restaurant parisien

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Bertrand Pierre - Autre Chose

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Canal 32 - Mesnil-Saint-Loup : moines artisans

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Le Journal - Grands prématurés

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Bateau sport 100% électrique - Le Nautique 196 E

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If you’ve studied our recent lesson on French numbers, you should theoretically be able to count to a billion (compter jusqu’à un milliard) in French. But since no one has time to do that, let’s focus on some other, more practical uses of the verb compter
 
Counting doesn’t always involve numbers. For example, if you’re relying on someone to do something, you’re counting on (compter sur) them, as this Parisian chef is counting on us to visit his restaurant:
 
À vous aussi de venir ici, on compte sur vous.
Up to you to come here too, we're counting on you. 
 
You can also count on a future event to happen (or not happen). Bertrand Pierre is an extremely talented singer-songwriter, but for some reason he doesn’t expect to make it big. He expresses his pragmatism with the construction “compter + infinitive”:
 
Je compte pas devenir une star internationale, c'est pas ça que je veux dire.    
I'm not expecting to become an international star, that's not what I mean.
 
Sometimes compter refers not to counting numbers, but containing them. If the subject of the verb compter is an inanimate object, it’s most likely describing contents:
 
Après un peu de lecture, dans une bibliothèque qui compte quarante mille volumes...     
After a bit of reading, in a library that contains forty thousand volumes…
 
Quite a few expressions are based on the noun form of compter, compte, which can mean “count,” “total,” or “account.” If you’re a Yabla subscriber, for example, you have un compte (an account) with us. Un compte can also mean “account” in a more figurative sense, as in the expression prendre en compte (to take into account):
 
Tous ces éléments-là sont importants aussi à prendre en compte...
All those elements there are also important to take into account...
 
A very common expression with compte is se rendre compte, which means “to realize” or “become aware” (literally, “to give an account to oneself”). In the latest installment of our Il était une fois episode on Scottish explorer James Bruce, a shipmate reflects on the crew's recent discovery of Abyssinia:
 
Tu te rends compte, Luigi, nous repoussons les limites de l'inconnu.    
You realize, Luigi, we're pushing the limits of the unknown.     
 
Don’t forget that se rendre compte is a reflexive expression, and its meaning changes completely when you remove the se: instead of giving an account to yourself, you’re giving an account to someone else, i.e., reporting to them: 
 
On y va? -Oui, mais d'abord, on rend compte à Oméga.     
Shall we go? -Yes, but first we report to Omega.     
 
We’ll end with a compte expression that deals with endings: en fin de compte (literally, “at the end of the account”), which can be translated as “ultimately,” “at the end of the day,” or “when all is said and done”: 
 
En fin de compte, un bateau qui est propulsé par une motorisation cent pour cent électrique. 
Ultimately, a boat that's propelled by one hundred percent electric power. 
 
Compte tenu de (taking into account) all of the different ways of using compter and compte, you might feel overwhelmed when trying to remember them all. But don’t worry if you can’t master them right away: c’est l’intention qui compte (it’s the thought that counts)! 

Les noms en français

Lesson 60. Vocabulary

Le Journal - Choisir un nom d'enfant

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Voyage dans Paris - La Butte aux Cailles

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Canal 32 - Le futur de l’éolien se joue dans l'Aube

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Actu Vingtième - Le Repas des anciens

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If someone asks you what your name is in French (Comment t’appelles-tu?), you probably know to respond with the phrase je m’appelle… (my name is…). But what’s in a name? Or, more specifically, what are the different parts of a French name?  

First there is le prénom (“first name,” literally “pre-name”), which is not to be confused with le pronom, or “pronoun” (le nom means both “name” and “noun”). This “Le Journal” video is all about first names, focusing on the most popular baby names in France: 
 
C'est un prénom qui passe bien pour une jeune fille, pour une dame 
It's a name that works well for a girl, for a woman 
 
After le prénom comes le deuxième prénom, which literally means “second first name,” i.e. “middle name.” Finally, there’s le nom de famille (“family name” or “surname”). 
 
Watch out for the word surnom, which is a faux ami of “surname.” Un surnom is “a nickname,” and its verbal form surnommer means “to nickname”: 
 
Et enfin, les habitants de la Butte aux Cailles sont surnommés les Cailleux.
And finally, the residents of the Butte aux Cailles are nicknamed the "Cailleux."
 
Surnommer comes from the verb nommer (to name, to call). When you make nommer reflexive (se nommer), it means “to be named” or “to be called”: 
 
Ce système de redistribution “intelligent” se nomme “smart grid”.
This “intelligent” redistribution system is called “smart grid.”
 
You can also use se nommer to refer to a person’s name, but it’s a bit more formal in that context than its synonym s’appeler:
 
Ma mère se nomme Louise.
My mother is named Louise. 
 
There are other types of names besides your birth name (nom de naissance). If you’re a performer, for example, you might adopt a new name for your stage persona: 
 
C’est quoi ton nom de scène
What’s your stage name?
 
Or, if you prefer the pen to the stage, you might take on a nom de plume:
 
"Voltaire" était le nom de plume de François-Marie Arouet. 
"Voltaire" was the pen name of François-Marie Arouet. 
 
In a previous lesson on the word mademoiselle, we talked about some recent changes that were made to the vocabulary used in French government documents. Among them is the abolition of the phrase nom de jeune fille (maiden name) in favor of nom de famille, and the phrase nom d’époux/nom d’épouse (married name) in favor of nom d’usage (used name).
 
So now, if you ever have the pleasure of filling out paperwork in French, you shouldn’t have to worry about writing your names in the wrong boxes! 

 

Mille, Million, Milliard: Big Numbers in French

Lesson 59. Vocabulary

Le Journal - La Coupe du Monde - Part 2

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TV Tours - Hollywood sur Loire!

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TV Sud - Alzheimer: L'efficacité des Jardins de Sophia

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Numbers are an essential feature of every language, and learning them usually just involves a good amount of memorization. In his latest video, Lionel provides an excellent and comprehensive review of numbers in French and explains how some of the more complicated ones are constructed. This lesson will supplement Lionel’s expert counting knowledge with some additional number facts. We won’t spend time going over the basic French numbers, since Lionel did such a great job with that. Instead, we’ll focus on the big numbers (above 100) and on decimals. 

Although there are quite a few numbers above 100 (cent), you really only need to know a few of them for the rest to fall into place. Besides cent, there’s mille (a thousand), un million (a million), and un milliard (a billion).
 
When dealing with the word cent, the most important thing to consider is whether or not it takes an s at the end (and thus becomes plural). It never does in the 100s, since you only have one hundred: cent un (101), cent vingt (120), cent quatre-vingts (180), etc.
 
Cent vingt-huit personnes ont été relogées ce soir.
One hundred twenty-eight people were rehoused this evening.
 
Once you get into the multiple hundreds, however, you do need an s after cent, except when cent is followed by another number. So if your rent is neuf cents dollars ($900) and your landlord is nice enough to raise it by only $50, your new rent will be neuf cent cinquante dollars ($950).
 
You won’t have to worry about adding an extra s to the word mille, which always stays singular:
 
En France, huit cent cinquante mille personnes sont atteintes de la maladie d'Alzheimer.
In France, eight hundred fifty thousand people are affected by Alzheimer's disease.
 
But once you reach the millions, things get a bit trickier. Once again, an s is required when you’re talking about multiple millions (deux millions vs. un million). But unlike cent and mille, when you’re talking about one million, you need to say un million. That is, the word million never stands alone, yet you never say un cent or un mille as we would say "one hundred" or "one thousand" in English: 
 
Si j’avais un million de dollars, je parcourrais le monde.
If I had a million dollars, I would travel the world.
 
You might be wondering why there is a de in un million de dollars but there isn’t one in neuf cents dollars. That’s another rule for million: when the word is followed by a noun, you need a de in between. Note that all three of these million rules are also true for un milliard (a billion).
 
Numbers aren’t always as neat as 1,000,000 and 950. How do you deal with more unwieldy quantities like 950.23 or 3.6 in French? Take a look at this sentence from our video on the booming number of film shoots near the small town of Saint-Cyr-du-Gault:
 
En deux mille onze, la région a consacré deux virgule deux millions d'euros
In two thousand eleven, the area devoted two point two million euros
 
You may know that virgule means “comma.” So why is it translated as “point” here? The answer is that French deals with decimals in a slightly different way than English does. While the above number would be written 2.2 million in English, in French it would be 2,2 millions
 
The general rule is that where English uses a period when writing numbers, French uses a comma, and vice versa. So while “one million” in English is 1,000,000, in French it’s 1.000.000. Alternately, un million can also be written 1 000 000, where the periods are replaced by single spaces.
 
What would you do with un million de dollars or deux virgule deux millions d’euros? Even if you aren’t a millionaire at this point in time, at least you now have the vocabulary to count to a billion in French!

Punctuation in French

Lesson 58. Punctuation

Télé Grenoble - La famille Maudru

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Manon et Clémentine - Rendez-vous chez le médecin

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Manon et Clémentine - Vocabulaire du livre

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When learning to speak a language, we mostly focus on words. But when learning to write that language, it’s equally important to think about what goes on between the words—that is, how they’re punctuated. While there are many similarities between English and French punctuation, there are some important differences that you’ll need to know when writing your next brilliant essay in French.

The major French punctuation marks are easily recognizable: there’s le point (period), la virgule (comma), les deux-points (colon), le point-virgule (semicolon), le point d’exclamation (exclamation point), and le point d’interrogation (question mark).
 
Speaking of what goes on between words, one of the major differences between French and English punctuation has to do with spacing. Generally, colons, semicolons, exclamation points, and question marks are all preceded by a space: 
 
Lesquelles préférez-vous : les pommes ou les oranges ? -Les pommes !
Which do you prefer: apples or oranges? -Apples!
 
There is one set of French punctuation that might not look very familiar to English readers. This sentence alludes to them using an idiom:
  
C'est la "morale du film", entre guillemets.
That's the quote-unquote "moral of the film."
 
The phrase entre guillemets literally means "between guillemets." Guillemets are the French version of quotation marks, and they look like this: « ». So the above sentence could be more accurately written: C’est la « morale du film », entre guillemets. 
 
Notice that the comma is placed outside the guillemets, as are all other punctuation marks. Also, there is always a space after the first guillemet and another one before the second.  
 
Written French looks different on the page than it does in Yabla captions. Manon and Clémentine have already given us a thorough lesson on book-related vocabulary—now we’ll take an excerpt from one of their helpful skits and show you what it might look like in book form. Here’s the original, from their video on visiting the doctor:
 
Bonjour! j'ai pris un rendez-vous pour cet après-midi avec le docteur Séléno-Gomez, mais j'ai un empêchement. -Bien. C'est à quel nom? -C'est au nom de Manon Maddie. -Ah oui. Madame Maddie à dix-sept heures quarante-cinq.
Hi! I made an appointment for this afternoon with Doctor Séléno-Gomez, but I have an engagement. -Fine. It's under what name? -It's under the name Manon Maddie. -Oh yes. Ms. Maddie at five forty-five.
 
And here’s how that might look as dialogue in a novel:
 
« Bonjour ! dit Manon. J’ai pris un rendez-vous pour cet après-midi avec le docteur Séléno-Gomez, mais j'ai un empêchement.
—Bien. C'est à quel nom ? répond Florence.
—C'est au nom de Manon Maddie.
—Ah oui. Madame Maddie à dix-sept heures quarante-cinq ».
 
This is certainly different from what you would find in an English-language novel! The major difference is that, unlike quotation marks, guillemets are used to mark off the entire dialogue, not a change of speaker, which is instead indicated by a dash (un tiret).
 
You won’t have to worry too much about punctuation here at Yabla. We use a special style tailored to work well with the Yabla Player. But it’s always good to know proper punctuation when writing in any language, whether you’re fluent in it or just learning it. If you’re looking for something to inspire you to write in French, here are the first few lines of Marcel Proust’s classic novel À la recherche du temps perdu (In Search of Lost Time), as presented by Manon and Clémentine: 
 
"Longtemps, je me suis couché de bonne heure. Parfois, à peine ma bougie éteinte, mes yeux se fermaient si vite que je n'avais pas le temps de me dire: 'Je m'endors'."
"For a long time, I used to go to bed early. Sometimes, my candle barely put out, my eyes would close so quickly that I had not even time to say to myself, 'I am falling asleep.'"

Four More "Faux Amis"

Lesson 57. Vocabulary

Il était une fois - Les découvreurs - 9. Galilée - Part 4

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Ferme de la Croix de Pierre - Les lapins

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Geneviève Morissette - À propos de la musique

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You may recall our previous lesson on three adverbs that were false cognates, or words that look similar in two languages but mean different things. In French, these are called faux amis (literally, “false friends”), and there are too many French-English ones to count. In this lesson, we’ll just focus on four more, all from our most recent videos.

We’ve been learning a lot about Galileo lately in the Il était une fois (Once Upon a Time) series, the third installment of which deals with the scientist’s experiments with pendulums, which move in a very specific way:
 
Vous allez voir que cet instrument va se balancer de moins en moins fort!
You'll see that this instrument is going to swing less and less intensely!
 
You may have expected se balancer to mean “to balance,” but it actually means “to swing.” “To balance” is tenir en équilibre (literally, “to hold in equilibrium”).
 
In part four of the series, we finally get to the revolutionary idea that made Galileo famous and ultimately cost him his life:
 
Vous vous rendez compte, mon cher, qu'ils se trouvent des savants pour prétendre que la Terre n'est pas le centre de l'univers!
You realize, my dear friend, that there are scientists claiming that the earth is not the center of the universe!
 
Galileo didn’t “pretend” that the earth revolved around the sun—on the contrary, he was pretty sure of it! So sure, in fact, that he boldly “claimed” it. “To pretend” is faire semblant or feindre.
 
Prétendre is followed by que when you're making a claim ("to claim that..."), but when you're claiming a specific thing for yourself, you use prétendre à
 
Il peut prétendre à une allocation chômage.
He can claim unemployment benefits. 
 
On a different note, there’s no pretending that the angora rabbits on the Croix de Pierre Farm aren’t adorable, or that their breeder doesn’t take the utmost care to make sure that they’re warm and cozy:
 
Le plus galère pour eux c'est quand tu les épiles et que le temps n'est pas très au beau ou qu'il gèle très fort.
The toughest time for them is when you shear them and that the weather is not very nice or that there is a very hard frost.
 
Il gèle is an impersonal expression (more on those in this lesson) meaning “it’s freezing” or “there’s a frost,” and it comes from the verb geler. That may look like it might mean “to gel”—and indeed, the noun le gel means both “frost” and “gel”—but “to gel” is more like prendre forme (to take shape).
 
Finally, we’ll leave the French countryside for Montreal, where Geneviève Morissette has been making waves on the music scene as a singer-songwriter and as the host of the “Rendez-Vous de la Chanson Vivante” (Meetings of the Living Song) festival: 
 
Ça fait deux ans que je les anime.
I've been hosting them for two years.
 
Geneviève certainly animates the festival with her impassioned lyrics and powerful voice (and animer can in fact mean “to animate” or “enliven”), but in this context the verb means “to host” or “present.” We could also say that Geneviève is l’animatrice (“host” or “presenter”) of the festival.
 
Faux amis can be tricky (not to mention a bit sneaky), so be on the lookout for them when watching Yabla videos. Whenever you spot one you don’t know, you can just click on it to add it to your flashcards list. Then, once you review your flashcards, you’ll have it mastered in no time! Bonne chance (“good luck,” not “good chance”)!
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